End of Watch
Two young officers are marked for death after confiscating a small cache of money and firearms from the members of a notorious cartel, during a routine traffic stop.
© 2012 Open Road Films. All Rights Reserved.
- buy from $9.99
Disturbingly violent but heroic depiction of L.A. cops.
what parents need to know
what families can talk about
Tomatometer®reviews counted: 20see all End of Watch reviews
Top Critic Reviews
Fresh: The best scenes are filmed inside the cruiser, dashboard shots that face inward instead of out, catching Gyllenhaal and Pea in moments so playful and true they make all other buddy cops look bogus by comparison.
- Amy Biancolli, San Francisco Chronicle, Thursday, September 20, 2012
Fresh: A visceral story of beat cops that is rare in its sensitivity, rash in its violence and raw in its humor.
- Betsy Sharkey, Los Angeles Times, Thursday, September 20, 2012
Fresh: Ayer and his cast appear to have so convincingly nailed the way these characters talk and act that you might not even notice the film slipping from workaday grit into out-and-out myth.
- Bilge Ebiri, New York Magazine, Tuesday, January 8, 2013
img]http://images.rottentomatoes.com/images/user/icons/icon14.gif/img] End of Watch makes a massively ambitious and very rewarding attempt to portray how brutal the lives of the LAPD can get whilst simultaneously edging in some cop movie melodrama. It succeeds, and the result is one of the best cop movies in years. A little melodrama can go a long way, and sucking up to clichs is definitely not what David Ayer was attempting to do with this film. His focus is on the characters at the center of all the action, and Jake Gyllenhaal and Michael Pea are absolutely brilliant at fleshing out the sense of realism in the characters whilst at the same time making them more likable than previously portrayed characters in buddy cop films. The conversations they both share generally consists of banter and the discussion of their daily lives. But when they are thrown into life and death situations the tension is then cranked up to it's highest because we grow attatched to them. Basically, the script is fantastic. The storyline is fairly generic, however this is the point. I've heard bad things about the plot of the film but I think it truly deserves to indulge in it's simplicity. I think here Jake Gyllenhaal is at his strongest since Brokeback Mountain and Michael Pea takes a genuine turning point in his career. I always find that he's never bad. If he's in a bad movie, his performance is nevertheless anything but lazy. The cinematography is fantastic and the pacing is absolutely perfect. It's deadly serious tone is never misjudged by it's ruthless violence and down right funny tongue in cheek sense of humour. It's well directed, intriguing, touching and highly entertaining. I suspect Oscar nominations if not wins. Gritty, realistic, and skilfully executed behind and on camera, David Ayer just might have made his masterpiece. A heartfelt and touching homage to the LAPD, that in his previous films he has gone on to criticise in ways that are only matched by the compassion he shows for them within this great film.
- aquateen2, Tuesday, December 25, 2012
Remember the old US TV cop show 'Chips'? well never mind cos this ain't nothing like that lol!. From the films poster you can tell this is a badass cops, drugs and guns drama which will no doubt have lots of profanity and gangbangin involved. Profanity you say? check!, holy assburgers there is tonnes of it, a possible record breaker here folks. Aside from that the film is actually pretty good and did keep me interested throughout. The plot is basically about the lives of two LA cops going about their daily lives and err that's it. Not only do we get the bad side of being a cop, naturally, we also see the odd perks and how these guys get along together both on the beat and personally. The whole film is made in a hands on/handheld cam style which we all know about mainly from a few alien and horror flicks. At first it does feel as if its a documentary style and there is a cameraman with the two officers but we find out Gyllenhaal's character is doing some of the filming himself for his own personal project. So the look moves from a police pov to a handheld cam style as if someone else was there with the cops filming. Visuals are of course rugged, real and at times hectic when the officers burst into action or come under fire. It does add a thrill to the film and gives the whole thing a sharper edge, it basically feels like you're watching one of those real cop TV shows with real footage. Naturally the family side of the story isn't really very interesting and I did find myself yearning for them to get back on the beat. Pregnant wives and relationships zzzzzzz...more door bashing drug/weapon raids please. On the whole the plot does feel somewhat jumbled and as if its going nowhere but towards the end it does meld together. Unfortunately the ending disappointed me, the cops come under heavy fire from a gang so they go on the run. As they escape they take down two vehicles driven by gangsters, now at this point I instantly thought the pair should jump in one of these criminals cars and drive off to safety. Whilst there they could also have grabbed one of the dead criminals weapons for extra protection seeing as all they have is handguns low on ammo. But no! they don't do either and just remain on foot trying to outrun or dodge their way clear through alleys. Now surely common sense would dictate what I suggested no? maybe that's just me, the bad guys expire in a pretty weak cliched way too. Bit of an anti climax that lets the rest of the film down if you ask me. On the whole the film is decent with great performances from the two leads. You really do think you're watching a cop TV show, all that's missing is that stupid intense voice narrating everything hehe. The only down side is, as an Englishman looking on, the film doesn't really put black Americans or Hispanic/Mexican Americans living in LA, in a very good light. Kinda puts you off going anywhere near the city limits, but I guess you could say kudos to the actors and director for making me feel that way, the film made its presence known.
- phubbs1, Monday, December 10, 2012
Every moment of your life they stand watch. Great Film! In terms of subject matter this film doesn't cover anything really different. Its about cops dealing with their issues at home and on the job. This topic has been covered countless times but what makes End Of Watch different and better then many of its predecessors is that it holds realism as its number one priority. This is one of the most realistic portrayals of police life ever put to celluloid. The day to day lives of these two best friends are shown in a format that is both convincing and horrifying. It doesn't flinch away when showing the disturbing aspects of this high pressure career. Gyllenhaal and Pea provide us with two highly believable characters and their chemistry is palpable. Whether they're talking about the women in their lives or having a friendly argument about racial stereotypes, these two actors ensure that we stick with their characters through every step of the way. Gyllenhaal continues to solidify himself as one of the best actors around and Pea delivers one of his best performances to date. It's got a great script and a focused story that is handled confidently and told well. David Ayer has crafted an intense, hard hitting drama that benefits from the two excellent performances by the two leads. Two young officers are marked for death after confiscating a small cache of money and firearms from the members of a notorious cartel, during a routine traffic stop.
- xXGiNoBiLiPRXx, Monday, December 10, 2012