Box art for Farewell My Queen

Farewell My Queen

  • Rated R

independent, special interest

Léa Seydoux stars as one of Marie Antoinettes ladies-in-waiting, seemingly an innocent but quietly working her way into her mistresss special favors, until history tosses her fate onto a decidedly different path.

Rotten Tomatoes® scores

  • Critic Score
  • Audience Score

common sense

ON for kids age 16
3 out of 5
Positive messages
0 out of 5
Positive role models
1 out of 5
0 out of 5
Drinking, drugs, & smoking
1 out of 5
4 out of 5
1 out of 5

Gripping, mature account of Marie Antoinette.

what parents need to know

Parents need to know that Farewell, My Queen is a French-language historical drama (subtitled in English) about the events in the days leading up to the storming of the Bastille in 1789 -- notably Marie Antoinette's personal relationships with her ladies-in-waiting and special friend. Expect to feel a bit like a voyeur allowed behind the curtains to see a queen undone by the rapid shift in politics and dwelling on the imminent loss of an illicit relationship. There's some nudity (two women are shown naked, one while sleeping), relationships between both opposite- and same-sex couples, a bit of swearing, and deep chasms between social classes.

what families can talk about

  • Families can talk about Marie Antoinette: Does she seem as flip and wasteful as some historians have made her out to be? Teens: What did you know about her before seeing Farewell, My Queen?
  • What keeps Sidonie loyal, given how the queen doesn't exactly feel the same toward her? For that matter, what drives the royal-and-royal-subject dynamic?
  • Discuss the affair at the heart of the film. Is it true? Do historians really know? How could you find out more?

movie reviews from Rotten Tomatoes®

  • Tomatometer®

    reviews counted: 19
    see all Farewell My Queen reviews
  • Audience


Top Critic Reviews

Fresh: Jacquot takes a refreshingly understated approach to costume drama, avoiding historical generalizations to focus on the particulars of palace life and the psychological states of individual characters.

- Ben Sachs, Chicago Reader, Thursday, July 19, 2012

Fresh: Jacquot has chosen wisely in casting La Seydoux in the key role of Sidonie, whose luminous but watchful eyes suggest a soul wise beyond her years.

- Bruce Demara, Toronto Star, Friday, August 24, 2012

Fresh: Deftly captures the sense of impending revolution from within the mirrored halls of Versailles.

- Claudia Puig, USA Today, Thursday, July 12, 2012

Audience Reviews

2 stars

With many inelegant zooms and clumsy camera movements, this irregular drama also fails to develop well Sidonie's devotion to the Queen, and so their trust relationship feels forced and rushed. Still, the story creates some good tension following a fictional character of uncertain fate.

- blacksheepboy, Tuesday, January 15, 2013

3 stars

If you are expecting a French film chronicling the last days of Marie Antoinette, then you may be in for a slight disappointment. Brilliantly directed by the Benoit Jacquot (who also co-wrote the much less impressive script) and starring Diane Kruger as Marie Antoinette and Lea Seydoux, who plays one of the Queen's readers named Sidonie Laborde, and is also the protagonist of this film (for some reason) "Farewell, My Queen" is advertised as the story of the last days of Marie Antoinette, but it's more like the somewhat muted story of the two months before the "last days" of Marie Antoinette. So, even though "Farewell, My Queen" is a better movie than Sofia Coppola's ill advised, indie rock inspired, "Marie Antoinette", due to the faux-final-days story structure, in conjunction with the fact that "Farewell, My Queen" uses Marie Antoinette as a side character, telling the story from the point of view of Sidonie Laborde (a nobody) this is a film which may have many audiences scratching their heads as to why the need to show this particular moment in the life of Marie Antoinette. As I alluded to above, "Farewell My Queen" chronicles a miniscule portion in time during the last months of Marie Antoinette's reign. However, audiences are not treated to "the good part", or the part they undoubtedly came to see. What I mean by this is there are almost no visuals of the actual Revolution, plus (and more importantly) we don't actually get to witness the final days of Marie Antoinette's life simply because "Farewell, My Queen" curiously plays out through the eyes of one of her ladies-in-waiting. Instead, audiences are forced to sit through a pseudo-love story that focuses not on the very interesting end of Marie Antoinette's reign, but on the minutiae right before it! This film is the equivalent of sitting through the love story of Jack and Rose, with the movie ending just before the Titanic strikes the iceberg. Yes, I am aware that this is a script which was adapted from a critically acclaimed novel by Chantal Thomas, BUT it still doesn't make the story's focus any less misguided. I mean, there are some scenes which do attempt to create a somewhat intriguing love story, an aspect which must be fully accredited to some fantastic mood setting by Jacquot, but in the same vein, this film never rises above said simplistic love story. Side Note: Another issue many audiences will likely come across is how frivolously "Farewell, My Queen" throws its viewers right into the deep end of this story, with little exposition. In fact, the greatest individual flaw which hinders "Farewell, My Queen" will be seen in the audiences immediate realization that neither Jacquot's visuals or the engaging performances (which I will speak about later) are going to give those not formally versed in the players of the French Revolution and the fall of Versailles, the background information they may desperately desire, as this film half-introduces more and more characters of seeming importance. So, do yourself a favor, if you are going to see "Farewell, My Queen" (at the very least) peruse the Marie Antoinette Wiki page before going to see this film. With that said, the visuals (the set design in conjunction with the director) are somewhat breathtaking at times, due to Jacquot making some very brave directorial choices, including tons of long takes which trail behind characters as they weave in and out of crowds, giving audiences an intimate feeling of the atmosphere of late 1700's France, and a few beautifully constructed shots of the landscapes. And I guess it doesn't hurt that the two female leads, Seydoux and Kruger, both give engaging performances. But even if Kruger's interpretation of Antoinette is one of the best I've ever seen and Seydoux is so captivating to watch as she effortlessly takes control of the movie every time she is on screen, there is simply not enough in the story or the writing to give reasoning to the eccentric behavior or motives behind the actions of Marie Antoinette or (more importantly) give a reason as to why Sidonie is so infatuated with her. So, even though, in the latter half of the film (more than an hour in) Jacquot does create an atmosphere which allows these characters to somewhat blossom, many will find it hard to care about a Marie Antoinette story that contains no beheadings. Final Thought: Based on a "last days" plot which attempts to imitate a much better film like "Downfall", even with some spectacular direction and two engaging female performances, "Farewell, My Queen" is nothing more than this year's "My Week With Marilyn", telling a story which focuses on characters nobody really cares about, rather than simply creating a storyline around the life/last days of (in this case) Marie Antoinette. So, even if you are a Marie Antoinette fan, with the overall structure the way it is, "Farewell, My Queen" is nothing more than DVD worthy at best. Follow me on Twitter @moviesmarkus Find more reviews at:

- ghostdog86, Thursday, August 2, 2012

3 stars

Similar in a way to Sofia Coppola's Marie Antoinette. This film focuses more on the servants than the queen herself. The period details seemed more accurate. It is worth hearing the story in the French language. There is something melodic in the sound. The camera work often utilizes long uncut shots with the camera freely moving back and forth between people. It looks a bit nontraditional and while it didn't bother me, I'm not sure what it adds. I enjoyed the upstairs/downstairs nature of the drama. Lea Seydoux as Sidonie and her complicated relationship with Diane Kruger as Marie Antoinette is especially compelling. Lea plays a literate, creative, curious, and bold young woman, a character who generally needs to hide these qualities. The spoiled young queen is much more fragile and fickle than one might expect. It is about the chaos faced by those who had power, but even more so by those who served the people in power, when their way of life was crumbling around them.

- hypathio7, Sunday, October 28, 2012