For Colored Girls
From Tyler Perry comes a colorful film of great magnitude, where different women find common ground.Like a rainbow, each woman provides a different hue and perspective.Faced with the greater spectrum, they are gifted hope and inspiration.
© 2010 Very Perry Films. All Rights Reserved. Oscar® is the registered trademark and service of the Academy of Motion Picture Arts and Sciences. Emmy®: © ATAS/NATAS.
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Tyler Perry melodrama deals with intense, disturbing themes.
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Top Critic Reviews
Fresh: Perry benefits from the fire, heft, velocity, and lyricism of the language, but he also updates the material and makes it work onscreen, eliciting powerhouse performances from an ensemble of actresses.
- Andrea Gronvall, Chicago Reader, Thursday, November 4, 2010
Raw, brutal, and in someways truthful. Many will dislike it, but some will find Perry's adaptation of Shange's 1975 play about different issues that affect women in general, especially women of color to be of relevance.
- MOVEECRITIC, Saturday, November 13, 2010
Tyler Perry's first foray into serious dramatic filmmaking basically morphs what was a humanistic work of identity introspection into a preachy type-A ensemble melodrama, with all the surfeit redemptive crap that such a thing implies. If the first act may appear more than merely bearable, the cloying reflexes eventually take hold of the narrative until there is nothing left but excruciating closeups of actresses bawling and bawling. Perry, who has approximately zero idea of what to do with these generous, vibrant actresses, decides to pile up their poetic monologues on top of one another during a single 30-minute dead patch to the point where all the pain and resentment becomes flat-out buffoonish instead of dramatic. It's a little bit spectacular to watch such an incompetent filmmaker completely drown in self-important artistry without knowing what the fuck he's doing, and therefore For Colored Girls is just a little less boring than one might have imagined, but all in all, it makes for a pretty poor delve into the black female psyche. Cast-wise, Kimberly Elise and Kerry Washington are head and shoulders above everyone else thanks to a whole lot of restraint during their respective emotional catharsis, saving all the spazzy overacting for Whoopi Goldberg and Thandie Newton.
- liquidstone14, Wednesday, November 10, 2010
whoopi goldberg was surprisingly good. Janet jackson was o.k. and loretta devine was very good as always. i really liked at the end where they are all standing together cause it show unity between colored girls and At no point did I feel the movie to be slow. In fact, I thought the movie constantly pounded on our emotions to almost a point of exhaustion. I also thought that the prose to fit fairly well with the dialog. There were times when two people were talking at the same time that made it difficult to follow, but I understood the intent and liked the effect. Tyler has made progress in his directing abilities. He still has work to do, but this was by far his best work. I look forward to seeing this movie again. As for the acting...Rashad, Devine, Elise, Newton, and Rose were the standouts. In fact, I cannot see anyone except Loretta Devine in that role now...she owned it! Whoopie is still a superb actress. I agree with many other reviewers, Janet Jackson just does not have it. I question Tyler's judgement in picking Janet for a fairly meaty role. Clearly she patterned much of her part from Meryl Streep in "The Devil Wears Prada" and did not pull it off. She looked terrific though! Other seasoned more proved actresses could have done a much better job with that role. Halle, Vivica or even Robin Givens anyone? Bring your tissues. Pay attention. It is a good movie.
- brandankurtis, Friday, January 21, 2011