A woman's life becomes embroiled in a huge military cover-up when it's revealed her husband is not who he says he is.
© 2002 Twentieth Century Fox Film Corporation and Regency Entertainment (USA), Inc. in the U.S. 2002 Twentieth Century Fox Film Corporation and Monarchy Enterprises S.a.r.l. in all other territories.
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Mediocre thriller of the betrayed-woman genre.
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Top Critic Reviews
Rotten: This thriller-by-numbers fails to add anything fresh to an already exhausted genre.
- Neil Smith, BBC, Tuesday, November 2, 2004
I lost track of how many times Morgan Freeman played the same role in different m ovies. The good-hearted renegade policeman or lawyer or whatnot whose streetwise ways of dealing with with problems make the world a better place. In this case, I do not really mind Freeman being typecast because he fills the stereotype well and adds wamrth and humanity to the movies. Yet, in some cases the films are unbalanced because the rest of the cast cannot hold their ends up. High Crimes suffers from an incredibly weak cast (except Freeman). While Ashley Judd is not the worst actor, her character is very superficial and you can tell that the script is written by a bloke because no woman like here exists in the world, shallow. The axis of the film, the accused, is James Cavaziel and he is a pain in the eye to see acting and he really breaks this movie, because I do not really care what happens to him. The story is simple and resemblent of "A Few Good Men" without the subtleness and tension, without the quality if you want to put it that way. The characters are all onedimensional and the bad guys look bad and the good guys look good, like an old western, but not in a good way. You can smell the twist from miles away so the climax is more or less a anti-climax. All this and many story inconsistencies make this a below average thrilles that is poorly executed as well. Can be missed. HX
- HenrikSchunk, Monday, March 22, 2010