Man On A Ledge
In the film critics call "a white-knuckle action thriller," ex-cop Nick Cassidy (Sam Worthington, Avatar & Clash of the Titans) escapes from prison to plan the ultimate heist: steal a $40 million diamond from cutthroat businessman David Englander.
© 2012 Summit Entertainment, LLC. All Rights Reserved.
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Taut heist thriller is better than lame title suggests.
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Tomatometer®reviews counted: 20see all Man On A Ledge reviews
Top Critic Reviews
Rotten: The film's descent into generic silliness feels more painful than it should for a late-January thriller.
- Andrew Lapin, NPR, Thursday, January 26, 2012
Rotten: It sure is about a man on a ledge.
- Ann Hornaday, Washington Post, Thursday, January 26, 2012
Fresh: This embraces its own lunacy readily enough, never aiming for anything more than the disposable thrills it delivers thick and fast.
- Anna Smith, Time Out, Tuesday, January 31, 2012
For a thriller like this to work it has to rely on the small details but unfortunately the story is fairly light when it comes to those and instead tries hard to make the best of a good premise with very little to back it up with. The cast is eclectic but no one really stands out, in fact it's a bad day at the office for most, worst performance award is shared pretty equally. The script is fairly horrific too, especially in the dreadful scenes with Genesis Rodriguez and Jamie Bell - possibly the most annoying couple in celluloid history? Hitchcock it ain't, it's quite arrogant to think it's as clever as that and I believe Asger Leth does.
- SirPant, Monday, November 5, 2012
An interesting thriller that really kept me involved and wanted to know what's going to happen next. Whilst it's not perfect and there were many times I could guess what was going to happen but I really enjoyed the premise.
- StarCrossedVoyager, Wednesday, October 3, 2012
Despite an intriguing premise and some neat ideas, as well as a cast of rather notable (and some pretty talented) individuals, this is by and large, a rather flat, generic, and routine suspense thriller that doesn't thrill, or hammer home the suspense as much as it ought to. Ex- cop and wanted fugitive Nick Cassidy plants himself out on the ledge of a high rise building while a troubled NYPD negotiator tries to talk him down, and quell some of her personal demons. It's a very simple set up, and in the hands of the right person, they could make a great film using just this set up alone. However, in a neat move, this set up is merely a pawn in a scheme for Cassidy to clear his name and settle an old score, complete with a few twists along the way. I'm okay with this, but I just wish it could have been handled and presented better. Sam Worthington agreed to this, finding the script intriguing, and also as a good way to try to get over his own fear of heights. In fact, in many shots, he, and the other actors are doing their own stunt work on an actual ledge on location, with the filmmakers using creative ways (both digitally and practically) to hide the wires and harness. That's cool. What's not cool is the by the numbers and phoned in performances. Worthington tries his best on all fronts, but he is a little too underwhelming. It doesn't help that his accent slips in a few times too many. I felt that Elizabeth Banks and Edward Burns fared better, doing the best they could with typical archetypal roles that don't really stray too far from the mold. Ed Harris does add some gravitas, but again, he's not given much to work with, and Alan Alda did a far better job in a similar role in the similar Tower Heist. Also, I love Kyra Sedgwick, but was she really needed for this? Her appearance seemed really random and pointless, especially given her caliber and level of recognition. So yeah, the movie is dumb fun, typical Hollywood popcorn crap, and while I ultimately don't think it's that great, I didn't hate it. It's not boring, there's some cool scenes and good ideas, and it takes a simple idea and tries to run with it in a neat way. It's just a shame that it really falls flat and fails to be as compelling and, more importantly gripping as the set up implies it should be.
- cosmo313, Monday, August 27, 2012