Box art for The Duchess

The Duchess

drama


The movie explores the marriage, relationships, and passions of 18th century aristocrat Georgiana, Duchess of Devonshire.

Rotten Tomatoes® scores

  • Critic Score
    61%
  • Audience Score
    67%

common sense

PAUSE for kids age 15
Consumerism
0 out of 5
Drinking, drugs, & smoking
3 out of 5
Language
0 out of 5
Positive messages
0 out of 5
Sex
3 out of 5
Violence
3 out of 5

Period drama delves into some heavy themes.

what parents need to know

Parents need to know that although this serious period drama stars Keira Knightley, it's not all that likely to appeal to teens since it explores the inner workings of a very flawed marriage -- one that's marred by infidelity and disloyalty and complicated by a menage a trois. There's an upsetting scene in which a man forces himself on a woman, as well as some nudity and passionate embracing. Also expect plenty of gambling and drinking, mostly at joyous events though sometimes during times of despair. At one point, a main character imbibes so much that she upends a chandelier and accidentally sets fire to her wig.

what families can talk about

  • Families can talk about what it was like to be a woman during the time in which the movie takes place. How much power did women have in the 1700s? Is the arrangement that the duchess suggests to her husband a fair one? The film depicts a number of revolutions under way, including the beginnings of the women's movement. Do you think it's all historically accurate? How could you find out? Also, do you think this drama is any different from other period dramas in feel or look? How so?

movie reviews from Rotten Tomatoes®

  • Tomatometer®

    61%
    reviews counted: 28
    see all The Duchess reviews
  • Audience

    67%

Top Critic Reviews

Fresh: It isn't just eye candy; there's an active intelligence behind this design.

- Amy Biancolli, Houston Chronicle, Friday, September 26, 2008

Fresh:

- Ben Kenigsberg, Time Out, Thursday, November 17, 2011

Fresh: There's something really special about Kiera Knightly in these period pieces.

- Ben Lyons, At the Movies, Friday, November 7, 2008

Audience Reviews

3 stars

In The Duchess you have one of those historical biopics - you know, "based on a true story", which since it is only "based upon" gives the screen writer carte blanche to play it any way he sees fit. Even then he and the director arrived at the dock well after the ship had sailed. Sometimes a film is not so much about what it shows you on the screen, but what it infers by innuendo and association. The Duchess is such a film, and it suffers for it. What is allegedly relevant for the film is that said Duchess is a Spencer, and as such, is an ancestor to everyone's darling, Lady Di. The film attempts to draw parallels, showing how the Duchess was an intelligent, strong willed young woman sucked into a marriage of opportunity in 1774 - to which, one infers that she is just like her descendant. The film goes to great length to further this concept, showing ad nauseum all the trappings of being forced into an arranged and loveless marriage; wherein her sole duty is to produce a son and heir for the duke. That she rails against the system makes a sort of feminist statement, and while I abhor the duke and everything he stood for (the assumption of power and moral certitude based on your birthright), and sympathize with any person forced into any contract without their consent - you didn't see this duchess, or Di refusing all the jewels and trappings of royalty. But enough with the socio/political statements, let's discuss the film itself. The cinematography is top shelf and the sets and costumes beautiful, and I suppose you can't really blame Ms. Knightly in the title role - she does the best she can given the material she has to work with. The same can be said for Ralph Fiennes, who aptly plays the stuffy, pompous Duke, who while being an expert manipulator and politician, has some serious issues when it comes to expressing actual emotion. Emotion is what appears to be lacking throughout the film - moments that are meant to be heartbreaking aren't fully grounded by any back-story so they lose much of their potential potency. There are parallels to the film Possession, involving the sacrifices made for children. In Possession the scenes are emotionally powerful, in The Duchess, all the emotion is sucked away, as what should have been an emotional reunion becomes an empty thirty seconds of film. There was potential here that, with a bit more care, focus and development, could have made a wonderful film. Alas, all the attempts to portray the duchess as special and beloved by the people become nothing more than gratuitous scenes of empty pageantry where the duchess spoke, but didn't say anything truly impressive, a fault of the script writer yet again. There are some bedroom scenes thrown in for good measure (it seems a pre-requisite for all period piece dramas), though they are flat and emotionless, even a pseudo rape somehow simply seems matter of fact; as if reading a passage in a pot-boiler novel "ah yes, he took her hard, and without her consent" - not much emotional energy there. Throughout it seemed as if the film was at war with itself - wanting to show the Spencer parallel with a modern carnal sensibility, yet caught in the malaise of gentrified manners while the gossip mongers hinted of infidelities and scandal. It played like a well costumed soap opera until the film finally ran out of things to say and ended up using my least favorite film device: the written narrative conclusion - something that also seems a pre-requisite of quasi historical dramas. Kind of a "they lived happily (or not) ever after" effect. To me, if there was something important you wanted to impart to your audience, you find a way to show it and not resort to such a sloppy stunt. In this case the narrative informed us that shortly before her death the duchess gave her consent for her friend to marry her husband and become the new duchess. But wait a minute!!! The duchess was some 20 years younger than her husband - WTF?? What happened? How did she die before he did? I would have thought that this would have made for a far more interesting tale than the pointless semi political scenes that the film included in a misguided attempt to show some historical perspective.

- paulsandberg, Wednesday, February 23, 2011

3 stars

Interesting story and good performances.

- Raajay, Friday, February 4, 2011

3 stars

A solid period piece. Good acting on the part of the main characters. With Rampling and Fiennes standing out the most for me. Beautiful sets and costumes as you might imagine. The story is sad, but a very interesting slice of history and a nice introduction (for most of us) to a woman who was way ahead of her time in many aspects of her thinking (not to mention style).

- RCCLBC, Monday, January 31, 2011